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#MR ROBOT EPISODE 3 SUMMARY TV#
Granted, the rubric for grading gonzo, weird sequences on TV shows can’t be The Sopranos and The Leftovers because that’s just not fair. Still, it’s not quite as strong as those Sopranos and Leftovers life and death struggles. It’s touching enough and by episode’s end, Elliot embraces and hugs his dead dad. Robot wants to protect him from it, having known quite a bit about pain himself. Robot instead tells him that he’s here because in the real world he’s in a lot of pain and Mr. Elliot thinks he’s in this reality because Mr. Of course, “Master/Slave” does eventually try to place the dream sequence into an important part of the Mr. He got beat up real bad and went to a happy place. Elliot Alderson’s journey into the infinite is equally stylistically solid (maybe even cooler in some cases) but in terms of its relevance to the plot at hand, seems kind of secondary. One could easily claim that Tony Soprano and Kevin Garvey’s journey int a purgatory-type existence occur in crucial high points of both their respective seasons’ and maybe even series. But just as important are where they fall in terms of importance to the overall plot. Then The Leftovers took that Sopranos plot to the extreme by placing its protagonist in a hotel-based purgatory for an entire episode. He spends his time in a coma under a different name in a hotel trying to get home without his wallet or briefcase.
Season 6 opens up with Tony being shot by his uncle and entering in to a plane of existence somewhere between life and death. The Sopranos used to be the gold standard for extended dream sequences. Note: The following contains some spoilers for The Sopranos and The Leftovers. Robot’s places in history and also I’m just an absolute sucker for them. Let’s look at some other famous television extended dream sequences both because they’re applicable to figuring out where Mr.